Urbanism, city life and pop culture offers us many different chances to become green without even thinking about nature or the environment. For example, graffiti in essence can be considered a green art-form if you think that all the canvas you will ever need has already been built thus reducing the impact on the environment (I know what you are thinking, lets just forget for a minute that spray paint ain’t really that eco-friendly, but if it were it would probably be the most earth-friendly art-form!). Along this same train of thought, there are countless objects that are used and discarded every day that if we apply our imagination could become beautiful works of art, or even useful upcycled objects worthy of any household. Skateboards for example are not something you immediately think of as being recyclable.
Haroshi is a Japanese artist that makes eye catching art pieces recycling old used skateboard decks. His almost accidental ‘green’ approach to artwork is born through styles such as wooden mosaic, dots, and pixels; where each element, either cut out in different shapes or kept in their original form, are connected in different styles, and shaven into the form of the final art piece.
Haroshi became infatuated with skateboarding in his early teens, and is still a passionate skater at present. He knows thoroughly all the parts of the skateboard deck, such as the shape, concave, truck, and wheels. He often feels attached to trucks with the shaft visible, goes around picking up and collecting broken skateboard parts, and feels reluctant to throw away crashed skateboards. It’s only natural that he began to make art pieces (i.e. recycling) by using skateboards. To Haroshi, his art pieces are equal to his skateboards, and that means they are his life itself. They’re his communication tool with both himself, and the outside world.
In order to make a sculpture out of a thin skateboard deck, one must stack many layers. But skate decks are already processed products, and not flat like a piece of wood freshly cut out from a tree. Moreover, skateboards may seem like they’re all in the same shape, but actually, their structure varies according to the factory, brand, and popular skaters’ signature models. With his experience and almost crazy knowledge of skateboards, Haroshi is able to differentiate from thousands of used deck stocks, which deck fits with which when stacked.
After the decks are chosen and stacked, they are cut, shaven, and polished with his favorite tools. By coincidence, this creative style of his is similar to the way traditional wooden Japanese Great Buddhas are built. 90% of Buddha statues in Japan are carved from wood, and built using the method of wooden mosaic; in order to save expense of materials, and also to minimize the weight of the statue.
This goes hand in hand with Haroshi’s style of using skateboards as a means of recycling. A metal object is normally buried inside his three-dimensional statues. The object is a broken skateboard part that was chosen from his collection of parts that became deteriorated and broke off from skateboards.
To Haroshi, to set this kind of metal part inside his art piece means to “give soul” to the statue. “Unkei,” a Japanese sculptor of Buddhas who was active in the 12th Century, whose works are most popular even today among the Japanese people; used to set a crystal ball called “Shin-gachi-rin (new moon circle)” in the position of the Buddha’s heart. This would become the soul of the statue. So the fact that Haroshi takes the same steps in his creation may be a natural reflection of his spirit and aesthetic as a Japanese and a tru inspiration to all green artists.
Haroshi also reminds us that there is a chance to be green and make a difference all around us if we only manage to take our eyes off the celebrities and ipads and stop to think creatively for a second.
See more art by » HAROSHI




















Pingback: Hej bildelever – Lite inspiration « ekologiskt perspektiv